Ever sat down to draw and thought “where do I even start?” Let’s break through the overwhelm and make starting simple again.
You sit down.
You’ve got your pastels ready.
Your paper is in front of you…
…and then nothing happens.
If you’ve ever found yourself staring at a blank page thinking “Where do I even start?” — you’re not alone.
This is one of the most common things I hear from artists, especially those coming back to art later in life.
And here’s the thing…
👉 It’s not because you’re not talented.
👉 It’s not because you can’t do it.
There’s actually something else going on.
When you look at a blank surface, your brain is faced with infinite possibilities.
That’s a lot to process all at once.
So instead of starting…
👉 you overthink
👉 you hesitate
👉 or you avoid it altogether
It’s not laziness — it’s overwhelm.
And the more you think about the finished piece, the harder it becomes to begin.
If you’re stuck, this is the most important thing to understand:
You don’t need more ideas. You need a smaller starting point.
Most people try to start too big.
They sit down thinking:
“I’m going to draw a realistic animal.”
That’s not a starting point — that’s the end goal.
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Instead of tackling a full artwork, try this:
One small section. One simple task.
When you shrink the starting point, you remove the pressure — and that’s when things start to flow.
Soft pastels can feel overwhelming at first — so many colours, brands, and choices.
But here’s the truth:
You don’t need:
You just need:
That’s it.
More choices don’t make it easier — they slow you down.
Trying to do everything at once.
A full animal.
With colour.
Detail.
Background.
Lighting.
It’s no wonder it feels hard.
You’ve given yourself too many problems to solve at the same time.
If you want to simplify things even further, start with greyscale.
This removes the pressure of choosing colours and helps you focus on what really matters:
👉 light and dark
Once you understand values, everything else becomes easier.
I have a great beginner lesson over on my Youtube Channel to draw this snail in graphite.

If you’re sitting there thinking “okay but what do I actually DO?”…
Here’s a simple process:
Show lemur drawing in its stages
Not first. LAST.
That alone will fix so many frustrations.
Now let’s talk about actually getting started — because this is where most people get stuck.
Tell yourself you’re just going to do 10 minutes. No pressure to finish.
Starting is the hardest part — once you begin, it’s much easier to keep going.
Pick your reference, your colours, and your subject ahead of time.
Less decision-making = less resistance.
Your first marks are not meant to look good.
They’re there to map things out, explore, and build the foundation.
This could be:
Something that signals to your brain: “we’re doing art now.”
A lot of people wait until they feel confident before they begin.
But it doesn’t work that way.
Confidence comes from doing — not before it.
Every artist you admire has made plenty of awkward, messy, frustrating pieces along the way.
They just kept going.
If you take one thing from this, let it be this:
You don’t overcome the blank canvas by thinking more…
you overcome it by making the first mark.
Start small.
Keep it simple.
And give yourself permission to learn as you go.
If you’d like a step-by-step way to follow this process — with tutorials, reference images, and guidance — you can explore The Creative Barn membership here:
👉 https://www.thecreativebarnmembership.com
Categories: : artist, beginner, fundamental

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Listen as I walk you through the essentials supplies needed to get started in Pastel painting.
I teach you how to create this little barbed wire piece during the class. Everything you need is in the PDF workbook you'll receive when you register.